Poetics and Place: The Architecture of Sign, Subjects and Site by Kristen Kreider

Low stock: 3 left

215mm x 139mm x 15mm

Pages: 256

How do artworks speak, and how do we listen
and respond? These questions underlie the
investigation here of Roni Horns Pair Object
III: For Two Rooms, Emily Dickinsons later
manuscripts, Theresa Hak Kyung Chas Passages
Paysages, Fiona Templetons Cells of Release and
Jenny Holzers Lustmord. The tenets of critical
performance, art-writing and site-writing
inform the critical method used in Poetics
and Place. Each chapter is dedicated to one of
these five artworks, and is arranged in order
to fulfil three main objectives: to understand
how the artworks generate meaning through a
material poetics in relation to place; to develop
a critical methodology for engaging with them;
and to investigate their ethical potential and
political imperative. All of this, ultimately,
facilitates the development of a triadic relation
between theoretical concepts of sign, subject
and site at the crossover between poetry,
art and spatial practices. This extends each
artwork beyond the dyad of a critical encounter
in order to offer GÇô and allow others to grasp
GÇô an appreciation of how the artwork figures
meaningfully, as well as configures meaning,
in the wider world of objects and things. The
book concludes with a discussion of the ethics
of reading from the second person, opening up
a debate concerning the role of empathy within
contemporary, politically engaged practices in
art and poetry.