Craft in the Laboratory: The Science of Making Things by Elliot, Rebecca

156 in stock

285mm x 222mm x 12mm

Pages: 96

This volume is the first to examine how craft artists and designers apply scientific and mathematical concepts to creating their work, and reveals approaches to problem-solving among these makers and professionals in STEM fields (science, technology, engineering and mathematics). The acronym STEM reflects educatorsGÇÖ recognition that these fields are central to understanding how the 21st-century world functions, but those with training in the arts argue instead for the acronym STEAM, emphasizing how GǣartGǥ intersects with the four other fields.
Craft in the Laboratory builds off STEAM-related programming created by the Mint Museum of ArtGÇÖs department of Learning & Engagement to explore this intersection in depth. Drawn from the Museums renowned permanent collection of craft and design in all mediaGÇöceramic, pottery, wood, metal, glass, fibre, textiles and designGÇö this volume highlights how artists have thought like scientists and engineers. For example, Kate MaloneGÇÖs knowledge of the chemistry of clay bodies and glazes allows her to produce sculptures such as Heart Walnut. Douglas Harling made Vishnu Dreams using the ancient technique of granulation, aided by his understanding of the roles of surface tension, oxygen reduction, and eutectic bonds in fusing gold granules to a surface. Zolt+ín Bohus carefully planned the layers of glass in Stratofera on paper before creating it, using his knowledge of geometry and the prismatic qualities of glass. Technical aspects of materials and processes are discussed.